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About a year before The Book of a Thousand Eyes, Bernadette Mayer published Ethics of Sleep, another late-in-time insistence on the political value of slumber. In this book, sleep’s very intransigence is the sum total of its good—the fact that it cannot be made logical. “Why do I want you to be a certain way, sleep,” Mayer asks; to abandon that desire seems to be the aim of the book.
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Mayer creates an interior world between her self and Lewis “made up of words” that is conflated on top of the world of their domestic sphere where Lewis and Bernadette are somewhere within the house on this particular day. In fact, they have just put the children to bed and Mayer states, “You’re standing in the kitchen making coffee” (87).
The Taboo: The Art Of Bernadette Mayer And Patti Smith Essay 1439 Words 6 Pages Verse the Taboo: The Art of Bernadette Mayer and Patti Smith When someone says, “New York,” people may imagine the smell of a hot dog stand, the congestion of people in suits and ties hastening down Wall Street, or the sound of taxis honking and rushing to get through brief, green lights.
Mayer was the sister of Bernadette Mayer, a poet, and writer associated with both the Language poets and the New York School. Rosemary Mayer was married to the artist Vito Acconci. They separated in the late 1960s, and she lived for forty years in a Tribeca loft, where she hosted many elaborate dinner parties and cultivated an impressive indoor.
Bernadette Mayer: It was my first connection with any other poets, except for the fact that I had known Vito Acconci since I was about fifteen years old, and he was devoted to becoming a writer. That enabled me to really think about that as a possible thing to do. He was more than devoted to it, I suppose. He was obsessed. He was really the first connection to the outside world. Then, in Bill.